Wayne Miller’s books of poetry include Only the Senses Sleep, The Book of Props, The City, Our City, Post-, and We the Jury. His awards include a William Carlos Williams Award, two Colorado Book Awards, an NEA Translation Fellowship, six individual awards from the Poetry Society of America, and a Fulbright Distinguished Scholarship to Northern Ireland. He has co-translated two books from Albanian—most recently Moikom Zeqo’s Zodiac, shortlisted for the PEN Center USA Award in Translation—and has co-edited three books, most recently Literary Publishing in the Twenty-First Century. He lives in Denver, where he co-directs the Unsung Masters Series, teaches at the University of Colorado Denver, and edits Copper Nickel.
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Books by Wayne Miller
A tender and provocative collection of poems interrogating the troubles and wonders of both childhood and parenthood against the backdrop of global violence.
A boy asks his father what it means to die; a poet wonders whether we can truly know another’s thoughts; a man tries to understand how extreme violence and grace can occupy the same space. These are the questions tackled in these poems.
Bringing together a wide range of perspectives—industry veterans and provocateurs, writers, editors, and digital mavericks—this collection reflects on the current situation of literary publishing, and provides a road map for the shifting geography of its future.
These poems exist in the wake of catastrophe: rogue gunmen, debt, hoax bombs, riots, and consumerism all haunt its pages. And yet this collection cuts through pain to open up a way forward, thrumming with pathos and humor, pain and the beauty of living.
A breakout collection that showcases the voice of a young poet striking out, dramatically, emphatically, to stake his claim on “the City”—an unnamed, crowded place. These poems—in turn elegiac, celebratory, haunting, grave, and joyful—give hum to our modern experience, to all those caught up in the City’s immensity.
A tightrope walker who travels on telephone wires; angels, scarecrows, friends, and lovers—the speakers in these poems often desire to hold time still, even as they acknowledge that to do so would actually mean the death of love, of experience. This collection is an imaginative yet authentic inquiry into the varied constructs in which we define love.
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