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Binding: Paperback
ISBN: 978-1-57131-060-6
Pages: 384
Publish Date: January 2008
Genre: Fiction
Rock Island Line
BY David Rhodes
Published in 1975 to great acclaim, Rock Island Line introduces a memorable character in American fiction: July Montgomery. Born and raised in the idyll of Sharon Center, Iowa—a life of four-leaf clovers, dogs, and fishing—the young boy is rocked by the tragic death of his parents, a blow that precipitates his bitter exile from Eden. Fleeing via the Rock Island Line, July lands in Philadelphia and fashions a ghostly and insulated existence in an underground train station.
When a young woman frees July from his malaise, they return together to the Iowa heartland, where the novel soars to its heartrending consummation. Restored to the setting of his beloved grandparents and parents, and yet perched on the precipice of a disaster that could herald his end, July must decide whether to continue running, or stand still and hope for the promised dawn of Paradise Regained.
OTHER BOOKS BY THIS AUTHOR:
Driftless
When David Rhodes' first three novels were published in the mid-seventies, he was acclaimed as "one of the best eyes in recent fiction" (John Gardner), and compared favorably to Sherwood Anderson.
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The Last Fair Deal Going Down
Originally published in 1972, the debut novel from the acclaimed author of Driftless.
Read more ›
The Easter House
From the celebrated author of Driftless, a masterful and suspenseful novel.
Read more ›
Jewelweed
The follow-up to the critically acclaimed Midwestern magical realism novel, Driftless.
Read more ›
“‘A new, hitherto unknown novelist swam into my ken,’ Floyd Dell wrote in his autobiography more than forty years ago about a time back further still when a Midwesterner named Sherwood Anderson pressed a manuscript into his hands . . . American readers can now enjoy a similar shock of recognition by picking up . . . David Rhodes.”
—Alan Cheuse, New York Times Book Review“One of the best eyes in recent fiction belongs to the novelist David Rhodes. Rhodes’ eye, like any fine novelist’s, is accurate both about literal detail . . . and about metaphorical equivalencies. The main point be noticed, however, is that nothing in Rhodes’ vision is secondhand.”
—John Gardner, from On Becoming a Novelist“Wildly imaginative.”
—Saturday Review
