Milkweed Editions is thrilled to announce that Northern Light: Power, Land, and the Memory of Water by Kazim Ali has won the 2022 Banff Mountain Book Award for Environmental Literature. The prestigious competition awards $20,000 in cash each year, to be distributed amongst eight individual book category winners that are selected by “an international jury of writers, adventurers and editors.”
Northern Light is the story of a queer Muslim poet, son of political refugees from India, who
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Musician Jeffrey Foucault reflects on the his friendship with author Chris Dombrowski and the unique collaboration between friends that created the audiobook for The River You Touch.
An interview with author John Cotter about his forthcoming memoir, Losing Music.
We are thrilled to announce that Courtney Bush has been named one of five winners of the 2022 National Poetry Series. Her manuscript I Love Information was selected by poet Brian Teare and will be published here at Milkweed Editions in August 2023. In addition to publication, Bush will receive $10,000.
Courtney Bush is a poet and filmmaker from the Mississippi Gulf Coast. She is the author of the chapbook Isn’t This Nice? (blush_lit, 2019), and the full-length poetry collection Every Book Is About...
Milkweed Editions is thrilled to announce that K. Iver has won the 2022 Ballard Spahr Prize for Poetry. For their poetry collection Short Film Starring My Beloved's Red Bronco, selected by Tyehimba Jess, Iver will receive $10,000 and publication by Milkweed Editions in January 2023.
K. Iver is a nonbinary trans poet born in Mississippi. Their work has appeared in Boston Review, Gulf Coast, The Adroit, TriQuarterly, and elsewhere. They are the 2021-2022 Ronald Wallace Poetry Fellow for the Wisconsin Institute for Creative...
Haŋ (hello) Milkweed community, my name is Kachina Yeager and I am the Editorial Fellow here at Milkweed Editions. Our team is delighted to share with you the cover for Debra Magpie Earling’s forthcoming reissue of Perma Red—out August 2022. I was lucky enough to get to chat with Debra Magpie Earling about this remarkable novel, and I’m so excited to share that conversation with our wider community!
Jocelyn Kapumealani Ng is my collaboration soulmate. As queer ʻŌiwi femme creatives, we both use art to uplift and ask better questions of shapeshifters. We return to our own bodies to make - and to make possible - decolonial love. A Hawaiian multi-dimensional artist, Jocelyn uses special effects make-up and digital photography to transform people into their own mythic figures. Importantly, her practice is based on dialogue and trust. She asks for your reasons. Why do you come to be transformed? Why this myth? Why this body? As I wrote and re-wrote Ask the Brindled, Jocelyn and I worked together to dig deeper into moʻo mythology, moʻo poetics, and queer ʻŌiwi femme approaches to art.
ANNOUNCING THE WINNER OF THE 2021–22 JAKE ADAM YORK PRIZE!
Copper Nickel and Milkweed Editions are thrilled to announce that judge Dana Levin has chosen Christopher Brean Murray’s book Black Observatory as the winner of the 2021–22 Jake Adam York Prize. Black Observatory will be published by Milkweed Editions in February, 2023, and Murray will receive $2,000.
Christopher Brean Murray's poems have appeared or are forthcoming in Bennington Review, Colorado Review, Denver Quarterly, New Ohio Review, Quarterly West, Washington Square Review, and other journals. He lives in Houston.
In choosing...
Hello Milkweed readers! I’m Mary Austin Speaker, Milkweed’s Creative Director, and I was honored to talk with Ama Codjoe this week about her extraordinary first book, Bluest Nude, which is due out in September 2022.
Mary Austin Speaker: Bluest Nude is a powerful, vulnerable collection of poems that explores the practice of seeing and being seen as well as the ways we move through intimacy, memory, and art. Can you describe some of the central experiences that inspired Bluest...
Sinkhole: A Natural History of a Suicide, my first memoir and venture into prose, was a difficult book to write. Guided by the grief and curiosity surrounding my father’s death by suicide in 2009, the book is an attempt to trace a larger legacy of suicide in my familial line. My father’s death marked the third suicide in my immediate family: both my parents had lost their fathers to suicide, a truth that we rarely acknowledged or discussed. When my father died, I began to wonder what had led to these deaths and what my family's self-destructive history implied.
