"Gratitude compels the recognition that we exist because of the gifts of others, that we are all connected. And gratitude reminds you that you already have everything you need, and is thus a restraint on consumption. Practicing gratitude in a consumer society is a powerful act of resistance." —ROBIN WALL KIMMERER

In many respects, 2016 feels like a year that has mostly taken: from the notable artists we've lost—including two of our own, Max Ritvo and Phebe Hanson—to the countless assaults on the bodies and fundamental rights of our brothers and sisters, our environment, and our democracy. At this moment, when the losses are so tangible and when consumerism is at its height, we offer our deepest gratitude for all you have given in 2016.

Most bookstores do year-end lists and highlight the titles their booksellers have enjoyed selling over the past year. But given the fact that we (as Milkweed Books booksellers) have only been here for the past ten or so weeks, we've taken a slightly different approach. I'm happy to present this baker's dozen of books as a fair offering from us as a brand-new bookselling team. We have a shared love of quirky and well-done YA and science fiction. We're into food and plants as both filling and illuminating. A mix of...

As 2016 comes to a close, our staff is eagerly looking to 2017—and new submissions periods! In order to facilitate a timely response, we will open separately for each genre. Additionally, Milkweed Editions participates in three annual poetry prizes—two of which offer $10,000 purses: the Lindquist & Vennum Prize for Poetry, the National Poetry Series, and (in collaboration with Copper Nickel) the Jake Adam York Prize. For complete guidelines and access to our Submittable page, hop over to our submissions page: milkweed.org/submissions.

One Friday afternoon this past May, I received an email from Martha Collins. She asked me to consider a manuscript by a young poet named Max Ritvo. Jean Valentine had selected his work for a chapbook competition, Martha explained, and Lucie Brock-Broido had selected some of the poems in the manuscript for publication in the Boston Review. Martha added only that there was some urgency, as an illness had thrust this young man into what would become the final stage of his life.