Hello, friends, and welcome to another edition of Deep Cuts. In this series, we’ll be diving in with some of our authors and discussing the behind-the-scenes work that goes into the composition and production of their books. Oh, and real quick: this is Bailey Hutchinson, and I’m honored to be taking up the curatorial mantle for Julian Randall, the inaugural Milkweed Fellow, who created this series.

Friends, I’m feeling strange, and that’s in no small part because I’ve been alone in my apartment for over three weeks. It’s likely many of you find yourselves in a similar situation: self-isolation, while...

Tim_Robinson_by_Brian_Farrell.jpg

Milkweed Editions is deeply saddened to report that Tim Robinson has died from coronavirus this morning in London. He was 85. 

Robinson is the author of numerous books, most notably his two-volume study of the Aran Islands, and his Connemara trilogy, which acclaimed author Robert Macfarlane has called “one of the most remarkable nonfiction projects undertaken in English.” The first volume in the trilogy, Listening to the Wind, was originally published in Ireland in 2006, and we are incredibly honored to have ...

Kathryn Smith

Milkweed Editions and Copper Nickel are thrilled to announce that judge francine j. harris has chosen Kathryn Smith’s book Self-Portrait with Cephalopod as the winner of the 2019–20 Jake Adam York Prize.

Self-Portrait with Cephalopod will be published by Milkweed Editions in February 2021, and Smith will receive $2,000.

Kathryn Smith is the author of the full-length collection Book of Exodus (Scablands Books, 2017) and the chapbook Chosen Companions of the Goblin, winner of the 2018 Open...

Hello Milkweed True Believers and Happy February! For this month’s Deep Cuts series we have a special treat for you in the form of a new interview with future Milkweed author and co-founder of the Free Black Dirt collective, Erin Sharkey! This month we take an in-depth look at a forthcoming anthology of Black archival writing as relates to the history of slavery and freedom and migration for Black life here in Minnesota and in the wider country, how we reckon with what she deftly calls “the politics of nature.” It was an honor to sit a spell with Erin’s enormous vision for Blackness, history, the future, and what this anthology can and should mean to us, to all of us!