Selected by Ross Gay as winner of the inaugural Jake Adam York Prize, Analicia Sotelo’s debut collection of poems is a vivid portrait of the artist as a young woman.
In Virgin, Sotelo walks the line between autobiography and mythmaking, offering up identities like dishes at a feast. These poems devour and complicate tropes of femininity—of naiveté, of careless abandon—before sharply exploring the intelligence and fortitude of women, how “far & wide, / how dark & deep / this frigid female mind can go.” A schoolgirl hopelessly in love. A daughter abandoned by her father. A seeming innocent in a cherry-red cardigan, lurking at the margins of a Texas barbeque. A contemporary Ariadne with her monstrous Theseus. A writer with a penchant for metaphor and a character who thwarts her own best efforts. “A Mexican American fascinator.”
At every step, Sotelo’s poems seduce with history, folklore, and sensory detail—grilled meat, golden habañeros, and burnt sugar—before delivering clear-eyed and eviscerating insights into power, deceit, relationships, and ourselves. Here is what it means to love someone without truly understanding them. Here is what it means to be cruel. And here is what it means to become an artist, of words and of the self.
Blistering and gorgeous, Virgin is an audacious act of imaginative self-mythology from one of our most promising young poets.
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Praise and Prizes
“Virgin gorgeously, sensuously explores the pleasures and problems of the feminine experience. Sotelo’s language is as lush and hot as the inside of a woman’s mouth; her words can feel like a fever, like your eyes will blister if you stare too long at the page. . . . And what a pleasure to be hurt this way, with these words.”
“Virgin introduces readers to a young, Mexican-American feminist narrator who is sarcastic and unafraid, curious and self-discovering, and interested in everything from unrequited love and heartbreak to un-romanticized sex and the historically fraught terrain of virginity, and so much more. Analicia Sotelo dives headfirst into the complexities of the female experience and mind, and you’re going to love her for it.”
“A significant debut. . . . Sotelo’s poetry reveals the weight of desire, how our hearts drag our bodies. . . . Imbued with Catholic cultural touches, Sotelo mines the Marian paradox with complexity, grace, and power.”
“Stunning . . . It is this reeling dance with her reader that allows Sotelo’s collection to move between low and highbrow subjects, to include poems about barbeques, Giorgio de Chirico, and Greek mythology and never lose speed. Without exception, Virgin is a must-read—and a delightfully gripping way to start poetry in 2018.”
“Sotelo explores the power of mythologizing personal history in her striking debut. . . and from the start [she] cultivates intimacy through moments of vulnerability. . . . With humanity and raw honesty, Sotelo finds fresh ways to approach romance, family, and more.”
“‘We’re all performing our bruises,’ says a speaker in Analicia Sotelo’s brilliant book, Virgin, and that’s exactly the kind of precise and wise and not-a-little-bit-hurting observations this book is made of. I suppose this book, too, then, is a performance of a kind of bruise, or bruising. But what I love is how, by leaning into the many registers of heartbreak, Sotelo makes something incredibly beautiful. Something that, in its beauty, is a kind of salve.”
“‘Now I have three heads: one for speech, one for sex, / and one for second guessing’ the poet says at the end of ‘South Texas Persephone.’ It is that triad speech, sex, and uncertainty that Analicia Sotelo intensely explores in poems with emotional depth, humor and anguish throughout Virgin. She is a gifted writer and this debut collection brings us a poet self-aware, intensely observant of visual culture and social dynamics, knowledgeable about myth and process with a great understanding of craft—she knows when couplets are required and why ‘My Father Lost in a Game of Chess’ could only be a prose poem. Virgin makes you look again at the power of the feminine and the necessity for feminism.”
“In knowing intonations, the poems in Analicia Sotelo’s Virgin betray those little fables that underpin the family dynamic and the duplicities that masquerade as decorum in society. ‘I am a Mexican American fascinator,’ affirms this latter-day Ariadne who indulges, declines, and so abides as to transform the ceremonies of stranger and lover alike into the knowledge of hidden causes. These sly parables relate the length a “female mind can go” to render acuity with charm in the face of disapproval or indifference: ‘Now I have three heads: one / for speech, one for sex, / and one for second guessing.’”
“These poems shape an expansive imaginative landscape that becomes fortified by Sotelo’s use of myth, folklore, art, and personal history. Her speaker is that unforgettable young woman we have all been waiting for: she who dares to inhabit a story worthy of her brilliance and splendor.”