Alex Lemon is a poet and the author of two memoirs: Happy, selected by Kirkus as a best memoir, and Feverland. His collections of poems include Mosquito, Hallelujah Blackout, Fancy Beasts, The Wish Book, and Another Last Day. Lemon’s writing has appeared in Esquire, River Teeth, Best American Poetry, AGNI, Bomb, Pleiades, and many other magazines and journals. He received a National Endowment for the Arts Fellowship in Poetry, a Jerome Foundation Fellowship, and a Minnesota State Arts Board Grant, as well as the Paterson Award for Literary Excellence. An editor at large for Saturnalia Books, the poetry editor of descant, and a member of the advisory board for TCU Press, he lives in Fort Worth with his family and is the director of the Master of Liberal Arts Program at Texas Christian University.
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Books by Alex Lemon
Having extensively detailed his experience with a traumatic brain injury, Alex Lemon writes with the remarkable ability to transform the depth of pain into brilliant light. His enthralling new collection charts a visual map of the sprawling mind, translating images that alight behind the eye. It is a luminous study in contradictions: corporeal bewilderment and overwhelming apathy, the levity of dreams and the acridity of existence, aching grief and radiant joy.
Populated by visions and ghosts, Another Last Day follows its speaker on a search through a natural landscape turned on its edge, the landscape of today’s America.
This is a fragmented exploration of what it means to be a man in twenty-first-century America—and a harrowing, associative memoir about how we live with the beauties and horrors of our pasts.
In unrestrained descriptions of sensory overload and tender meditations on fatherhood and mortality, these poems blur the nebulous line between the personal and the pop-cultural. This is a collection of fireworks and wild emotion, defined by the author’s distinct brand of poetic edginess.
California wildfires, the 2008 election, plastic surgery, Larry Craig, wildfires, Wal-Mart, and rampant commercialism—these poems take on American media culture, the obscene foil for personal legacies of violence and violation. This collection offers a frank, funny, and inimitably frenetic vision of post-millennial America.
Rapturous and electric, these poems take us through a glittering underworld of illness and recovery, on a confrontational, explosive trip that is at once euphoric and brutal. Without relying on familiar narratives of despair and pity, this collection serves as a tender hymn to the decay, crimes, and promise of human life.
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