As a botanist, the author has been trained to examine nature with the tools of science; as a member of the Citizen Potawatomi Nation, she embraces the notion that plants and animals are our teachers. Here she brings these two lenses together, showing how other living beings offer us gifts and lessons, even if we’ve forgotten how to hear their voices.
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Author torrin a. greathouse reflects on the artistic process of creating the cover of her collection, Wound from the Mouth of a Wound.
Hello, friends, and welcome to another edition of Deep Cuts. In this series, we’ll be diving in with some of our authors and discussing the behind-the-scenes work that goes into the composition and production of their books. This time around, I am beyond thrilled to be in conversation with the winner of the 2020 Max Ritvo Poetry Prize, Allison Adair.
Her recently-released poetry collection,...
Vulnerable, tender, acute, these are serious poems, brave poems, exploring with honesty the ambiguous moment between the rapture of youth and the grace of acceptance. This collection shows us the persistence of hunger, love, and joy, the dizzying...
As a small boy in remote Alberta, the author was immersed in his Cree family’s history, passed down in the stories of his mother, Bertha. But after a series of tragic losses, Bertha turned wild and unstable, and their home life became chaotic....
Growing up in Alabama, the author was a devoted reader, an explorer of riverbeds and red-dirt roads, and a fiercely loved daughter. Here, in brief essays, she offers an unusual, captivating portrait of her family and her childhood—and of the...
As a botanist, the author has been trained to examine nature with the tools of science; as a member of the Citizen Potawatomi Nation, she embraces the notion that plants and animals are our teachers. Here she brings these two lenses together,...
