World of Wonders
World of Wonders
“[World of Wonders] walks. It sprints. It leaps. Most importantly, the book lingers in a world where power, people, and the literal outside wrestle painfully, beautifully.” —KIESE LAYMON
From beloved, award-winning poet Aimee Nezhukumatathil comes a debut work of nonfiction—a collection of essays about the natural world, and the way its inhabitants can teach, support, and inspire us.
As a child, Nezhukumatathil called many places home: the grounds of a Kansas mental institution, where her Filipina mother was a doctor; the open skies and tall mountains of Arizona, where she hiked with her Indian father; and the chillier climes of western New York and Ohio. But no matter where she was transplanted—no matter how awkward the fit or forbidding the landscape—she was able to turn to our world’s fierce and funny creatures for guidance.
“What the peacock can do,” she tells us, “is remind you of a home you will run away from and run back to all your life.” The axolotl teaches us to smile, even in the face of unkindness; the touch-me-not plant shows us how to shake off unwanted advances; the narwhal demonstrates how to survive in hostile environments. Even in the strange and the unlovely, Nezhukumatathil finds beauty and kinship. For it is this way with wonder: it requires that we are curious enough to look past the distractions in order to fully appreciate the world’s gifts.
Warm, lyrical, and gorgeously illustrated by Fumi Nakamura, World of Wonders is a book of sustenance and joy.
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Praise and Prizes
“World of Wonders is the first book to make me feel like a firefly as much as it reminds me I’m still a black boy playing in Central Mississippi woods. The book walks. It sprints. It leaps. Most importantly, the book lingers in a world where power, people, and the literal outside wrestle painfully, beautifully. This book is a world of wonders. This book is about to shake the Earth.”
“Nezhukumatathil applies her skill as a poet to a scintillating series of short essays on nature. She takes up topics that fascinate her—the bizarre-looking potoo birds of Central and South America; corpse flowers, with their rich colors and acrid odor—and connects them to her own experience of the world . . . Throughout, she vividly describes sounds, smells, and color—the myriad hues of a 'sea of saris' from India—and folds in touches of poetry. Fumi Nakamura’s lush illustrations add to the book’s appeal. Readers of Terry Tempest Williams and Annie Dillard will appreciate Nezhukumatathil’s lyrical look at nature.”