Poetry

Dēmos

An American Multitude
“Benjamín Naka-Hasebe Kingsley brings together Onondaga, Japanese, Cuban, and Appalachian cultures to investigate multiracial dislocation, American intolerance, and the question we all ask—who am I?”—LIBRARY JOURNAL
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An Electric Literature “Most Anticipated Poetry Book of 2021”

From the intersection of Onondaga, Japanese, Cuban, and Appalachian cultures, Benjamín Naka-Hasebe Kingsley’s newest collection arrives brimming with personal and political histories.

“‘You tell me how I was born   what I am,’” demands Naka-Hasebe Kingsley—of himself, of the reader, of the world. The poems of Dēmos: An American Multitude seek answers in the Haudenosaunee story of The Lake and Her children; in the scope of a .243 aimed at a pregnant doe; in the Dōgen poem jotted on a napkin by his obaasan; in a flag burning in a church parking lot. Here, Naka-Hasebe Kingsley places multiracial displacement, bridging disparate experiences with taut, percussive language that will leave readers breathless.

With astonishing formal range, Dēmos also documents the intolerance that dominates American society. What can we learn from mapping the genealogy of a violent and loud collective? How deeply do anger, violence, and oppression run in the blood? From adapted Punnett squares to Biblical epigraphs to the ghastly comment section of a local news website, Dēmos diagrams surviving America as an other-ed American—and it refuses to flinch from the forces that would see that multitude erased.

Dēmos is a resonant proclamation of identity and endurance from one of the most intriguing new voices in American letters—a voice singing “long   on America     as One / body           but many parts.”

Keywords
multiracial; intersectionality; Appalachian; Cuban; Japanese; Indigenous; Onondaga Nation; Native American; genealogy; Punnett squares; heritage; nature poetry; folklore; myth; protest
ISBN
9781571315250
Publish Date
Pages
96
Dimensions
8.5 × 6 × 0.25 in
Weight
7 oz
Author

Benjamín Naka-Hasebe Kingsley

Benjamín Naka-Hasebe Kingsley belongs to the Onondaga Nation of Indigenous Americans in New York. He is the author of Dēmos, Colonize Me and Not Your Mama’s Melting Pot, winners and finalists of over a dozen awards.

Praise and Prizes

  • “In a superbly inventive collection, Benjamín Naka-Hasebe Kingsley’s work explores living under the dominance of whiteness in America and the history of violence, particularly against Native communities. These poems ask: is racial violence in this country’s DNA? How far will it go, how long will this go on? It is a bold inquisition into the damage that has been done, accomplished with creative risk-taking.”

    Electric Literature
    Most Anticipated Poetry Book of 2021
  • “Benjamín Naka-Hasebe Kingsley brings together Onondaga, Japanese, Cuban, and Appalachian cultures to investigate multiracial dislocation, American intolerance, and the question we all ask—who am I?—in the teeming Dēmos: An American Multitude.”

    Library Journal
  • “Benjamín Naka-Hasebe Kingsley’s book Dēmos is a powerhouse collection of poems by a powerhouse poet. Dēmos showcases the range of the poet—one who can write lullaby lyrics and in the very next poem mold words out of fire. The energy in these poems is electric as Naka-Hasebe Kingsley explores and condemns the many injustices towards Native Americans and other marginalized communities throughout our short history. Naka-Hasebe Kingsley’s poems are unflinching, unrelenting, disarming, and brilliant in their range, form, and language. This is a necessary book of ferocity and strength during a challenging time.”
    Victoria Chang
  • “With this latest collection, Kingsley writes an encompassing work that’s thematically wide-reaching and formally and linguistically playful, boasting poems that change in style, perspective, and temperament from one to the next. Kingsley proves an engaging, cerebral guide through it all.”

    Library Journal
  • “With language as his pigment, with poetic form as his palette knives, Kingsley creates layer upon intimate layer as he uncovers multitudinous selves, simultaneously exploring just who is this WE in this ‘We the People.’”

    River Heron Review
  • Recommended for readers eager for nonquaint novels about seniors.”

    Library Journal