Kim Sagwa and Shannon Gibney in Conversation

Shannon Gibney's photo by Kristine Heykants

Join us in the bookstore for this reading and conversation with Kim Sagwa, featuring Mina (Two Lines Press), her English-language debut; and Shannon Gibney, featuring Dream Country, her newly published novel for young adults (Penguin). LEARN MORE.

“She doesn’t know what to do, and that amounts to a state of torture.” Crystal toils day and night to earn top grades at her cram school. She’s also endlessly texting, shopping, drinking, vexing her boyfriends, cranking up her mp3s, and fantasizing about her next slice of cheesecake. Her non- stop frenzy never quite manages the one thing that might calm her down: opening up about the pressures that are driving her to the edge. She certainly hasn’t talked with her best friend, Mina, nor Mina’s brother, whom she’s developing a serious crush on. And Crystal’s starting to lose her grip. In this shocking English debut, award-winning Korean author Kim Sagwa delivers an astonishingly complex portrait of modern-day adolescence. With pitch-perfect dialogue and a precise eye for detail, Kim creates a piercingly real teen protagonist—at once powerful, vulnerable, and utterly confused. As one bad decision leads to another, this promising life spirals to a devastating climax.

KIM SAGWA is one of South Korea’s most acclaimed young writers. She is the author of several novels, story collections, and works of nonfiction, and has been shortlisted for several major South Korean awards, including the Munji Prize and the Young Writers Award. Kim contributes columns to two major Seoul newspapers, and she co-translated John Freeman’s book How to Read a Novelist into Korean. She lives in New York City.

Bruce Fulton & Ju-Chan Fulton have translated dozens of books together since 1985, including the award-winning women’s anthology Words of Farewell: Stories by Korean Women Writers and the graphic novel Moss by Yoon Taeho, serialized at The Huffington Post. They have received numerous awards and fellowships, including two fellowships from the National Endowment for the Arts, the 4th Annual Chametzky Prize for Translation, given by The Massachusetts Review, and a residency at the Banff International Literary Translation Centre.

Dream Country begins in suburban Minneapolis at the moment when seventeen-year-old Kollie Flomo begins to crack under the strain of his life as a Liberian refugee. He’s exhausted by being at once too black and not black enough for his African American peers and worn down by the expectations of his own Liberian family and community. When his frustration finally spills into violence and his parents send him back to Monrovia to reform school, the story shifts. Like Kollie, readers travel back to Liberia, but also back in time, to the early twentieth century and the point of view of Togar Somah, an eighteen-year-old indigenous Liberian on the run from government militias that would force him to work the plantations of the Congo people, descendants of the African American slaves who colonized Liberia almost a century earlier. When Togar’s section draws to a shocking close, the novel jumps again, back to America in 1827, to the children of Yasmine Wright, who leave a Virginia plantation with their mother for Liberia, where they’re promised freedom and a chance at self-determination by the American Colonization Society. The Wrights begin their section by fleeing the whip and by its close, they are then the ones who wield it. With each new section, the novel uncovers fresh hope and resonating heartbreak, all based on historical fact.

In Dream Country, Shannon Gibney spins a riveting tale of the nightmarish spiral of death and exile connecting America and Africa, and of how one determined young dreamer tries to break free and gain control of her destiny.

SHANNON GIBNEY is an author and university professor. Her novel See No Color, drawn from her life as a transracial adoptee, won the Minnesota Book Award and was hailed by Kirkus as “an exceptionally accomplished debut” and by Publishers Weekly as “an unflinching look at the complexities of racial identity.” Her essay “Fear of a Black Mother” appears in the anthology A Good Time for the Truth. She lives with her two Liberian-American children in Minneapolis, Minnesota. www.shannongibney.com and @gibneyshannon.