Designed to honor the legacy of one of the most original and accomplished poets to debut in recent years—and to reward outstanding poets for years to come—the Max Ritvo Poetry Prize awards $10,000 and publication by Milkweed Editions to the author of a debut collection of poems. Selected by an independent judge, the prizewinning poet will receive a standard royalty contract, simultaneous publication of the collection in cloth and audiobook editions, national distribution, and a comprehensive marketing and publicity campaign.
Submissions Open: April 1–May 31, 2021
2017–2021 Judge: Henri Cole
Henri Cole was born in Fukuoka, Japan. He has published nine collections of poetry, including Middle Earth, which was a finalist for the Pulitzer Prize in Poetry. He has received many awards for his work, including the Jackson Prize, the Kingsley Tufts Award, the Rome Prize, the Berlin Prize, the Lenore Marshall Award, and the Medal in Poetry from the Academy of Arts and Letters. His most recent book is Orphic Paris, a memoir, published by New York Review Books. He teaches at Claremont McKenna College and lives in Boston.
First readers for 2019: Ruth Awad, Graham Barnhart, Lauren Cook, Kyle Dacuyan, Allison Pitinii Davis, John James, Rebecca Okrent, Matt Sumpter, and Jordan Zandi.
“Michael Kleber-Diggs’s poems quietly put pressure on us to live up to our nation’s ideals. He gives voice to the experiences and aspirations of middle-class Black America, and though the promised land is far away, he finds grace in the natural world, long marriage, and fathering. These supple, socially responsible poems seem to me a triumphant, paradoxical, luminous response to a violent time in our history” —Henri Cole on Worldly Things
“The Clearing is a lush, lyrical book about a world where women are meant to carry things to safety and men leave decisively. Out of dry farming soil come these wise, mineral-like poems about young motherhood, mining disasters, miscarriages, memory, and much more. Allison Adair’s poems are haunting and dirt caked, but there is also a tense beauty everywhere. I found The Clearing devastating.”
—Henri Cole on The Clearing
“The poetry of the earth is intensely alive in the poems of John James. In this luminous first book, there are poems of a son and a young father. Many of the best inhabit a tormented Kentucky landscape where there is a field with horses, a house and a barn, a flooding river, a cemetery where a parent lies, and bees or flies hovering. Out of the sorrowful fragments of personal history, John James has a created a book of unusual intelligence and beauty.” —Henri Cole on The Milk Hours
Inaugural Winner: Grady Chambers
“This powerful, absorbing first book has the sound and feel of a younger generation,” says acclaimed poet and prize judge Henri Cole. “Brilliant language, intelligence, and feeling make North American Stadiums matter. Factory lights, border patrol, gin, handguns, smoke stacks, and war are the geography of many of these eloquent poems, but the solitary poet is always scrutinizing the world with the eyes of a lover.”
- Poets may submit one complete, book-length collection, defined as a manuscript of forty-eight or more pages. Poems may have been previously published in periodicals, chapbooks, or anthologies, but the poet must not have published, nor committed to publish, a book-length collection of poems. Manuscripts must be of original work by a single poet; translations are not eligible.
- The submitting poet must reside in the United States. Please note: By law, Milkweed Editions must report cash prizes awarded to individuals to the Internal Revenue Service. Individuals in possession of a Social Security Number (SSN) or Individual Taxpayer Identification Number (ITIN) will receive a 1099. If the individual does not have a SSN or ITIN, they will receive a 1042 and could be subject to a withholding of a percentage of the cash prize.
- Only online submissions via Submittable will be considered. There is an entry fee of $25.*
- Simultaneous submissions are acceptable, but poets must notify Milkweed Editions immediately by withdrawing their manuscript via Submittable if it is accepted for publication elsewhere.
- Submissions will be reviewed anonymously; the winner will be chosen from finalists selected by named first readers. Manuscript formatting: No identifying information may appear on the pages of the manuscript. If the author's name appears within the body of the text, please omit it, black it out, or use a pseudonym (this may be changed if the manuscript is selected for publication). Please include a title page (with the author's name omitted) and a table of contents. Pages must be numbered. Please do not include an acknowledgments page in the manuscript (you will be prompted to submit this information separately via Submittable). No manuscript revisions can be considered during the course of the contest, but the winning poet will have an opportunity to make revisions prior to publication.
- We aim to ensure an ethical contest with a transparent process. Poets should refrain from entering the contest if their relationship to the judge constitutes a conflict of interest; poets may not have studied with the judge in full-time accredited courses within the last three years. Submissions will not be accepted from employees of the Alan B. Slifka Foundation or Milkweed Editions, their families, or relations.
- Milkweed Editions reserves the right to disqualify any entries deemed to jeopardize the integrity of the contest.
*Note: Milkweed Editions is an independent, nonprofit literary press. Entry fees help defray the costs of administrating the contest and publishing the winning collection.
NEXT SUBMISSION PERIOD: APRIL 1–MAY 31, 2021
Winner of the Max Ritvo Poetry Prize, the poems of Worldly Things offer needed guidance on ways forward—toward radical kindness and a socially responsible poetics. “Let’s create folklore side-by-side,” he urges, asking us to aspire to a form of nurturing defined by tenderness, to a kind of community devoted to mutual prosperity. “All of us want,” after all, “our share of light, and just enough rainfall.”
Winner of the 2019 Max Ritvo Poetry Prize, The Clearing is “a lush, lyrical book about a world where women are meant to carry things to safety and men leave decisively” (Henri Cole). From the midst of the Civil War to our current era, Adair charts fairy tales that are painfully familiar, never forgetting that violence is often accompanied by tenderness. Here we wonder, “What if this time instead of crumbs the girl drops / teeth, her own, what else does she have”?
This winner of the Max Ritvo Poetry Prize is an elegant debut that searches widely to ask what it means to exist in a state of loss. These are poems of frequent swerves and transformations, in dialogue with science, geography, art, and aesthetics, as well as the dream logic that motivates their incessant investigations.
The winner of the inaugural Max Ritvo Poetry Prize is an assured debut collection about grace—the places we search for it, and the disjunction between what we seek and where we arrive. In these poems, hinterlands demand our close attention; overlooked places of industry become sites for pilgrimage; and history large and small—of a city, of a family, of a shirt—is unearthed.
“All poets are heroes. Your book is your hero story. Take your reader on an adventure.”
Max came into our life at Milkweed Editions in May 2016 and quickly became our hero. Although he passed away just four months later, our experience publishing Four Reincarnations has underscored what it means to champion writers who are our heroes. We are delighted and deeply honored to celebrate Max's legacy with this prize, and to continue publishing outstanding emerging poets. Thank you to the Alan B. Slifka Foundation and its president, Riva Ariella Ritvo-Slifka, for supporting the Max Ritvo Poetry Prize.