Thinking with Trees

“Allen-Paisant is uncompromising when digging down through the undergrowth of our imperialist past—and yet he succeeds in replanting new narratives in the same soil where these toxic ideologies used to, and still, reside.”

“To hear this new sound, one is invited to cross the threshold into something ‘accidental / so entire so free,’ away from an exclusive lyric past and beyond the inherited traumas of slave labour. This crossing, the speaker of poems like ‘Black Walking’ informs us, is not only a physical passage but a leap over the precipice of racial asymmetry.”

“Allen-Paisant has penned a debut that may be years ahead of its time.”

“Jason Allen-Paisant deftly inscribes his own signature on worlds inner and outer in these gorgeous poems. The future of Caribbean lyric poetry is in great hands.”

“Jason Allen-Paisant maps a complex and multifaceted internal landscape in these astounding poems. How does the person occupy a poem? How does the poem speak back to a person? How does a poem then speak to the world? … Tough queries on language and personhood are posed through Paisant’s extraordinary line and sense of image; every poem seems a painting with their flashes of colour, their broad scope of place, the vivid characters of the people and animals who inhabit them. In these quietly subversive lyrics, expectations are undone, of ecologies, of people, of poems: trees, dogs, thoughts, cells, the daily world here is rendered wholly new.”

“Allen-Paisant’s poetic ruminations deceptively radicalise Wordsworth’s pastoral scenic daffodils; here the body is never restful or relaxed due to a lingering unease in these British parks and woodlands. He employs the usual meditative tropes found in nature writing, in order to exploit and amplify the psychological sense of entitlement this relationship with the land denotes. These penetrable lyrical verses and essays deconstruct democratic notions of green space in the British landscape by racialising contemporary ecological poetics. The collection’s power lies in Allen-Paisant’s subtle destabilization of the ordinary dog walker’s right to space, territory, property and leisure by positioning the colonised Black male body’s complicated and unsafe reality in these spaces.”

“These observant poems lay their burdens down by the rivers of Babylon and try to sing the Lord’s song in a strange land. What might it mean for the black body to experience nature, not as labour, but as leisure? What might it mean to simply walk through a park and observe the birds and the trees? The poems are beautiful and gentle, but the questions they raise are difficult and important.”

“Original, masterful, and beautiful … invites us to think about a perpetual condition of ‘marronage’ for the Caribbean writer.”