The Mannequin Makers
Playfully literate and strikingly original, an unforgettable debut novel about art, imitation, and obsession.
Excitement is rare in the small town of Marumaru, New Zealand. So when a young Maori man arrives on the morning train one day in 1903—announcing the imminent visit of a famous strongman—the entire town turns out to greet him, save one. Colton Kemp, a department store window-dresser, is at home, watching his beloved wife die in premature childbirth. Tormented by grief, he hatches a plan to make his name and thwart his rival, the silent and gifted Carpenter: over the next sixteen years he will raise his newborn twins in secrecy and isolation, to become human mannequins in the world’s most lifelike window display.
From this moment of calamity emerges a work of masterful storytelling, at once wildly entertaining and formally ambitious. The novel leaps fearlessly from the epistolary to the castaway narrative to the picaresque, as Kemp’s plot goes awry and as he, his children, and the Carpenter converge in the New Zealand hinterland.
The Mannequin Makers is an adventure-filled and thoroughly delightful yarn, introducing one of international literature’s most promising young talents to American audiences.
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Praise and Prizes
“Craig Cliff has brought turn-of-the-century Australia and New Zealand entirely to life in his haunting novel. With shades of Herman Melville and Richard Flanagan, it is a story of dark obsessions and family entanglements that will pull you in like a strong undertow. There are shipwrecks and desert islands and uncanny illusions. But it’s Cliff’s writing about wood carving and the New Zealand landscape that lends the novel its beautiful lyricism.”
“A grim and glorious meditation on the cruelty of fate.”
“Craig Cliff is a determined and fiercely gifted writer, and the attention given to the details of his chosen settings, as a novel about a window dresser surely must be, is impressive.”
“An engaging and deadly smart novel, one that wears a great deal of historical research lightly and that nicely plays out one engrossing theme: the human compulsion to produce ideal images of humanity, and the way those images and illusions are written back onto living bodies and lives. . . . The Mannequin Makers lives up to . . . Craig Cliff as a talent to watch—it’s tremendous, darkly entertaining and original from start to finish.”
“At once fantastical and deeply human. Reminiscent of the likes of Peter Carey’s Oscar and Lucinda or Tim Winton’s Cloudstreet, there is something delightfully off-kilter, imaginative and original in Craig Cliff’s storytelling that is a reminder that storytelling can be anything it chooses to be . . . This is a superb novel of parental obsession, the lure of the unattainable and the tragedy inherent within human nature.”