Our Books

Poets and friends Marilyn Hacker and Karthika Naïr—living mere miles from each other but separated by lockdown, and inspired by this extraordinary time—began a correspondence in verse.

From Arra Lynn Ross, a tender, generous, and generative extended poem centered on the experience of parenthood.

A collection that explores the myth of Echo and Narcissus, offering a reboot, a remix, a reimagining—and holding up the broken mirror of myth to late-stage capitalism, social media, and our present-day selves.

A bold, engaged new anthology spotlighting the work of contemporary Dutch poets influenced by international cultural exchange and linguistic invention.

Selected by Sally Keith as a winner of the National Poetry Series, this debut collection is a ruminative catalogue of overgrowth and the places that haunt us.

This winner of the Max Ritvo Poetry Prize is an elegant debut that searches widely to ask what it means to exist in a state of loss.

The winner of the inaugural Max Ritvo Poetry Prize is an assured debut collection about grace—the places we search for it, and the disjunction between what we seek and where we arrive. 

The first collection in over a decade from a master of his craft, Skin reflects earnestly on the miraculous moments found in the daily experiences of human life.

From celebrated contemporary poets María Baranda and Paul Hoover, an exciting collaborative translation of the canonical poems of San Juan de la Cruz.

From U.S. Poet Laureate Ada Limón comes The Carrying—her most powerful collection yet.

A boy asks his father what it means to die; a poet wonders whether we can truly know another’s thoughts; a man tries to understand how extreme violence and grace can occupy the same space. These are the questions tackled in these poems.

From Fady Joudah, an elegant collection of poems that shifts deftly between the microscope, the telescope, and the horoscope.

From the intersection of Onondaga, Japanese, Cuban, and Appalachian cultures, this collection arrives brimming with personal and political histories.

Environmental collapse. The betrayals and alliances of the animal world. The celebrities in our feeds, the stories we tell ourselves.

Concrete and evocative, Wound from the Mouth of a Wound is a testament to persistence, even when the body is not allowed to thrive.

A meticulously detailed catalogue of ordinary people performing acts of extraordinary violence, The Century charts an awakening to structures of dominance and violence.

Spare, earthy, lovely, Stone-Garland offers readers of the Seedbank series its lyric blossoms and subtle weave, a walk through a cemetery that is also a garden.

Thrown in the Throat is a sex-positive incantation that retextures what it is to write a queer life amidst troubled times.

Compassionate, contemplative, occasionally wonderstruck, Blood Moon is a moving work of moral introspection.

To Make Room for the Sea reckons with the notion that nothing in this world is permanent.

Kathryn Cowles’s Maps and Transcripts of the Ordinary World is a collection that lingers in memory and place, in the unsettled distance between reality and its transcriptions.

In The Galleons, Rick Barot widens his scope, contextualizing the immigrant journey of his Filipino-American family in the larger history and aftermath of colonialism.

This winner of the Jake Adam York Prize creates an unforgettable portrait of loss full of urgency and heartache and philosophical daring.

Spooky and spare, Gatekeeper is a striking debut collection and a suspenseful odyssey for these troubled times.

Taking its name from the Roman goddess of wisdom and her companion bird, Owl of Minerva turns astonishingly precise attention to the physical world.

This collection offers a singular perspective on our nation of immigrants and the tensions pulsing in the margins where they live and work.

This National Poetry Series winner is an unflinching portrait of the actual west—full of beauty as well as brutality, where boys tentatively learn to become, and to love, men.

Selected by Victoria Chang, this winner of the Jake Adam York Prize is a deeply personal examination of violent masculinity, driven by a yearning for more compassionate ways of being.

These poems take a piercing, witty, and ferocious look into the heart of the Fukushima Daiichi plant disaster, showing us survivors, victims, and Tsunami: a force of nature, femme fatale, and “annihilatrix.”

This is a collection about time—about memory, and remembrance, and how the past makes itself manifest in the world.

Populated by visions and ghosts, Another Last Day follows its speaker on a search through a natural landscape turned on its edge, the landscape of today’s America.

Claire Wahmanholm maps an alien but unnervingly familiar world as it accelerates into cataclysm.

Sharp, searching, and ecstatically musical, The Mirrormaker is a genre-expanding exploration of boom and bust—in mining economies and in young love.

A final collection fully inscribed with the daring of the author’s acrobatic mind and the force of his unrelenting spirit. These poems brush up against the pain, fear, and isolation that accompany a long illness.

This National Poetry Series winner defiantly makes space for bodies that have been historically denied their own vocabulary. These poems stake a claim on the language available to speak about trans experience.